Earlier this year I was invited by Krissy Kneen, events coordinator at my favourite bookstore, Avid Reader, to read from my work-in-progress Lovers of Philosophy at a salon event. Krissy, who is a fantastic author in her own right, invited me and other emerging writers Meg Vann and Rebekah Turner to read from our works to help launch Stephanie Bishop’s ‘The Other Side of the World’ (Hachette Australia Books).
Fortunately, I had actually received some training in how best to ensure such a reading goes as well as it can. That training , in my case, was provided by the wonderful Aimée Lindorf at the Queensland Writers Centre (QWC). This training was part of the QWC/Hachette Australia Manuscript Development Program which I was fortunate enough to be selected for last year.
Here are some of Aimée’s helpful tips for reading your work out aloud:
- Select an appropriate passage
- It needs to be self-contained enough to work as a stand-alone read
- It should have a small cast – no more than 4 characters including the narrator
- End on a cliffhanger if you can (You want to leave your audience wanting more)
- Read the passage out aloud before the big event
- There’s nothing like reading your writing out aloud to sharpen your editing eye. Get rid of clunk and make sure your prose is clear and rhythmically pleasing
- Warm up your voice and your body
- As all singers know, your voice is a physical instrument and resonates and projects much better if you do some deep breathing, vocalising and other exercises before you go on stage. Especially considering how much nervousness can pinch off your vocal cords and make you sound like Elmer Fudd.
- On the big day, read SLOWLY
- Remember. No-one has heard your amazing words before. Read SLOWLY so the audience can hear them and follow your story. Consider using slightly different tones or inflections of your voice for different characters (but don’t overdo this). Pause for effect where appropriate.
- Have fun!
- I made this one up. But having done a couple of readings now, I can vouch that there is nothing more enjoyable than reading your words as if you want others to hear them, and hearing their gasps, expectant silences and laughs. As writers we all want to share our imagined worlds with others so that they can be transported to another place, another time, another world. that IS the magic of writing. A public reading allows you as a writer to have a rare and precious experience – hearing readers’ reactions to your work in a public setting – after all reading is usually a private activity.